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|Description||:||The focus of my study is feedback. I approached this in a few different categories: musical feedback (like a guitar into a blazing amp), non-musical feedback (microphone and speakers screeching at one another), delay feedback, and feedback in the amplification sense with tubes/transistors/op-amps/etc. (enter snide engineering remark here). All of the sounds you hear were created with an electric guitar (my own special concoction) -> volume pedal -> modded Boss DS-1 Distortion -> Fulltone Full-Drive 2 -> Line 6 Echo Park -> Vox AC15H1TV all recorded through a Shure something or other into an M-Audio something into garage band (that's technical jargon by the way). Most of the crazy sounds were variations on plucked harmonics from the guitar with the delay feedback knob all the way up and variations on the timing (and then playing things over the top of that noise). The screeches are compliments of both distortion pedals turned on with the guitar really close to the speaker and microphone. The nice guitar feedback is augmented with me shaking, beating, plucking, gyrating, and bending the guitar (not the strings, just the guitar).|
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